A choreographer's notebook Stravinsky piano ballets by Peter Martins
Title
A choreographer's notebook [electronic resource] : Stravinsky piano ballets by Peter Martins / Thirteen/WNET ; directed by Merrill Brockway ; produced by Judy Kinberg ; choreography by Peter Martins ; music by Igor Stravinsky.
Eight easy pieces / danced by Stacy Caddell, Susan Gluck, and Roma Sosenko.
Tango / danced by Heather Watts and Bart Cook.
Piano-rag-music / danced by Maria Calegari with Cornel Crabtree, Afshin Mofid, Peter Schetter, and Ulrik Trojaborg.
Concerto for two solo pianos / danced by Heather Watts, Ib Andersen, and Jock Soto with twelve members of the corps de ballet.
Call number
*MGZIDF 9426
Access (note)
Patrons can access streaming video file only at the Library for the Performing Arts.
Credits (note)
Written by Holly Brubach; costumes, Ben Benson.
Performer (note)
Introductory remarks about his choreographic apprenticeship with Balanchine and commentary on each ballet by Peter Martins.
Event (note)
Recorded for WNET's series Great Performances/Dance in America on August 4, 1983.
Funding (note)
Preservation of this video was supported by a grant from the National Historical Publications and Records Commission.
Title
A choreographer's notebook [electronic resource] : Stravinsky piano ballets by Peter Martins / Thirteen/WNET ; directed by Merrill Brockway ; produced by Judy Kinberg ; choreography by Peter Martins ; music by Igor Stravinsky.
Imprint
New York, N.Y. : WNET, 1983.
Country of producing entity
U.S.
Event
Recorded for WNET's series Great Performances/Dance in America on August 4, 1983.
Credits
Written by Holly Brubach; costumes, Ben Benson.
Performer
Performed by members of the New York City Ballet Company.
Pianists: Gordon Boelzner and Jerry Zimmerman.
Introductory remarks about his choreographic apprenticeship with Balanchine and commentary on each ballet by Peter Martins.
Restricted access
Patrons can access streaming video file only at the Library for the Performing Arts.
Funding
Preservation of this video was supported by a grant from the National Historical Publications and Records Commission.