Rogues, romance, and exoticism in French cinema of the 1930s
- Title
- Rogues, romance, and exoticism in French cinema of the 1930s / Colleen Kennedy-Karpat.
- Published by
- Madison [New Jersey] : Fairleigh Dickinson University Press ; Lanham, Maryland : The Rowman & Littlefield Publishing Group, Inc., [2013]
- Author
Items in the library and off-site
Displaying 1 item
Status | Format | Access | Call number | Item location |
---|---|---|---|---|
Status Available - Can be used on site. Please visit New York Public Library - Performing Arts Research Collections to submit a request in person. | FormatBook/Text | AccessUse in library | Call numberMFL 13-3635 | Item locationPerforming Arts Research Collections - Theatre |
Details
- Description
- viii, 221 pages : illustrations; 24 cm
- Subject
- Contents
- Exoticism in 1930s France: the colonial and beyond -- Men outside the mainstream. Jean Gabin, Le cafard, and western solidarity -- La bandera (1935): cultural cohesion and colonial mercenaries -- Pépé Le moko (1937) and the multiethnic exotic -- Le messager (1937): failure to adapt -- Assimilation anxiety and rogue colons. Men who stayed too long -- El guelmouna, Marchand de sable (1931): rivalry (and Russians) in rural Algeria -- Amok (1934): cultural readmission at all costs -- L'esclave blanc (1936): segregationist parable -- Romancing the exotic. Tragedy and triumph for interracial love -- Caïn, aventure des mers exotiques (1930) and Baroud (1932): lasting love in the colonies -- Le simoun (1933) and Yamilé sous les cèdres (1939): triumph, tragedy, responsibility -- Women's agency and exoticist romance -- Métissage and cultural repatriation. La dame de Malacca (1937): European frog, exotic prince -- (Re)claiming French identity in La maison du Maltais (1938) -- Esclave blanche (1939): a westerner in the harem -- Redefining exoticist romance -- France imagines the Far East. Shanghai fantasies and the geishas of Joinville -- Mollenard (1938) and Le drame de Shanghaï (1938): exiled in (and from) the East -- Yoshiwara (1936) and La bataille (1934): lovers and fighters in the land of the rising sun -- Sessue Hayakawa's French Resurrection, 1936-1939. Forfaiture (1937): a legend revised, a legacy reborn -- Patrouille blanche (1939/1942): bringing the other back home -- Macao, l'enfer du jeu (1939/1942): the exotic father -- Exoticism in transition. L'homme du Niger (1940): patriotism and paternalism in Africa -- Malaria (1943): imperial stasis -- Descendants of interwar exoticism from decolonization to the new century.
- Call number
- MFL 13-3635
- Bibliography (note)
- Includes filmography.
- Includes bibliographical references and index.
- Author
- Kennedy-Karpat, Colleen.
- Title
- Rogues, romance, and exoticism in French cinema of the 1930s / Colleen Kennedy-Karpat.
- Publisher
- Madison [New Jersey] : Fairleigh Dickinson University Press ; Lanham, Maryland : The Rowman & Littlefield Publishing Group, Inc., [2013]
- Type of content
- text
- Type of medium
- unmediated
- Type of carrier
- volume
- Bibliography
- Includes filmography.
- Includes bibliographical references and index.
- LCCN
- 2013002328
- ISBN
- 9781611476132 (cloth : alk. paper)
- 1611476135 (cloth : alk. paper)
- 9781611476149 (electronic)
- Research call number
- MFL 13-3635