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Arte, originalidade e direitos autorais

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Status	Format	Access	Call number	Item location
Status Request for on-site use Request scan How do I pick up this item and when will it be ready?	FormatBook/Text	AccessUse in library	Call numberK1420.6 .C66 2022g	Item locationOff-site

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The key to understanding copyright is not in the law. It's in art. "The analysis of copyright should not be a matter of legal discussion alone." Based on this statement, artist Marcelo Conrado addresses the various issues related to the evolution of the concepts of authorship, work and originality. Contemporary art prompts copyright laws to rethink their categories, making this relationship more complex: the discussion on appropriation, originality, anonymity in graffiti and its criminalization, doubts about authorship in the event of outsourcing of the work, among many others, call into question the legal discussion of art and copyright also impact access to culture. When relevant works are no longer exhibited or reproduced in catalogues or books due to the denials of the artists' heirs, a subject also addressed in this extremely timely book. The author asks what would be the limits to differentiate influence from plagiarism. For the author, these issues require that the concept of work, authorship and originality be revisited theoretically, especially through selected cases, many of them not judicialized.

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Prefácio / Maria José Justino -- Introdução -- Parte I. Da arte ao direito -- Apresentação -- A autoria entre os séculos XV e XIX -- Autoria e direitos autorais nos séculos XX e XXI -- Parte II. Do direito a arte -- Apresentação -- O individual o exclusivo na arte e no direito -- A cegueira dos direitos autorais.

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