Proust, the body, and literary form / Michael R. Finn.
- Title
- Proust, the body, and literary form / Michael R. Finn.
- Published by
- Cambridge, U.K. ; New York, N.Y., U.S.A. : Cambridge University Press, 1999.
- Author
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Displaying 1 item
Status | Format | Access | Call number | Item location |
---|---|---|---|---|
Status | FormatBook/Text | AccessRequest in advance | Call numberPQ2631.R63 Z593 1999 | Item locationOff-site |
Details
- Description
- xiii, 207 p.; 24 cm.
- Summary
- This study examines the connections between Proust's fin-de-siecle 'nervousness' and his apprehensions regarding literary form. Michael Finn shows that Proust's anxieties both about bodily weakness and about novel-writing were fed by a set of intriguing psychological and medical texts, and were mirrored in the nerve-based afflictions of other writers including Flaubert, Baudelaire, Nerval and the Goncourt brothers. Finn argues that once Proust cast off his nervous concerns he was free to poke fun at the supposed purity of the novel form.
- Series statement
- Cambridge studies in French ; 39
- Uniform title
- Cambridge studies in French 39.
- Subject
- Genre/Form
- Criticism, interpretation, etc.
- Contents
- 1. Proust between neurasthenia and hysteria. Nervous precursors. The novel of the neurasthenic. Writing and volition. Involition's way. Neurasthenia: diagnosis and response -- 2. An anxiety of language. Speaking the Other. The language hysteria of Sainte-Beuve. Voicing Bergotte -- 3. Transitive writing. Correspondence. Journalism. Literary criticism. The pastiche: 'notre voix interieure' -- 4. Form: from anxiety to play. Closure. Openness and incompletion. Structure as iteration. Marcel's voice: the recurring author.
- Owning institution
- Harvard Library
- Bibliography (note)
- Includes bibliographical references and index.
- Processing action (note)
- committed to retain