Murray Hill Hotel; Spiral, from Park Avenue and 40th Street, Manhattan
Berenice Abbott learned photography in the 1920s in Paris, where she made a name for herself with her portraits of artists, writers, and intellectuals. Returning to New York at the close of that decade, she took on the dynamic and rapidly changing city itself as her photographic subject. She focused on the often discordant juxtapositions of old and new, monumental and humble. In this photograph, it is the past that seems to impose on the modern. The rounded, dark lines of the 19th-century hotel’s fire escapes starkly contrast with the pale, rectangular stacks of the 20th-century towers beyond. From her series Changing New York, this image is one of 305 Abbott produced between 1935 and 1939 for the Federal Art Project, a New Deal program designed to provide relief for artists during the Great Depression.
: The Miriam and Ira D. Wallach Division of Art, Prints and Photographs, Photogra…
Currently on View at Stephen A. Schwarzman Building
The New York Public Library believes that this item is in the public domain under the laws of the United States, but did not make a determination as to its copyright status under the copyright laws of other countries. This item may not be in the public domain under the laws of other countries. Though not required, if you want to credit us as the source, please use the following statement, "From The New York Public Library," and provide a link back to the item on our Digital Collections site. Doing so helps us track how our collection is used and helps justify freely releasing even more content in the future.